Troie est tombée. Les Grecs ont gagné leur guerre acharnée. Ils peuvent rentrer chez eux en vainqueurs, il leur suffit d'un bon vent pour lever les voiles. Mais le vent s'est évanoui, les mers ensevelies par des dieux vengeurs, et ainsi les guerriers restent dans les limbes - campés à l'ombre de la ville qu'ils ont détruite, tenus compagnie par les femmes qu'ils ont volées. Les femmes de Troie.

Troy has fallen. The Greeks have won their bitter war. They can return home as victors - all they need is a good wind to lift their sails. But the wind has vanished, the seas becalmed by vengeful gods, and so the warriors remain in limbo - camped in the shadow of the city they destroyed, kept company by the women they stole from it. The women of Troy. Helen - poor Helen. All that beauty, all that grace - and she was just a mouldy old bone for feral dogs to fight over. Cassandra, who has learned not to be too attached to her own prophecies. They have only ever been believed when she can get a man to deliver them. Stubborn Amina, with her gaze still fixed on the ruined towers of Troy, determined to avenge the slaughter of her king. Hecuba, howling and clawing her cheeks on the silent shore, as if she could make her cries heard in the gloomy halls of Hades. As if she could wake the dead. And Briseis, carrying her future in her womb: the unborn child of the dead hero Achilles. Once again caught up in the disputes of violent men. Once again faced with the chance to shape history. Masterful and enduringly resonant, ambitious and intimate, The Women of Troy continues Pat Barker's extraordinary retelling of one of our greatest classical myths, following on from the critically acclaimed The Silence of the Girls.